War Horse author Sir Michael Morpurgo on the power of storytelling
1 April 2021
Children’s Laureate, Sir Michael Morpurgo has been delighting children with his magical storytelling for many years. He is probably best known for his novel, War Horse, which was published in 1982 and later adapted for both stage and screen, but he has written over 120 books.
We spoke to him in late 2020 in the midst of the pandemic. Here are just some of his reflections on his storytelling process and the power of creativity.
Books help us to see the world from a range of perspectives, giving us the kind of empathy we really need for the future, he says.
“The only way we cure the difficulties of both our society and the world, is through empathy. And that’s why books are so important, it’s the understanding of others. One thing about my books that has been fascinating for me, is that they are written about 60 or 70 different countries, all over the world. About their history, their take on the world.
“This is useful to help us to get away from being self-centred – thinking of who we are and what we do as being the most important. Empathy is thinking yourself into another person’s history, into another country’s history and then coming to an understanding of people. That inevitably leads to kindness.”
Morpurgo’s books often articulate children’s relationship with nature and have recurring themes of the triumph of outsiders. He says the inspiration for these stories is often found in his everyday life.
“About 40 years ago I was talking to an old man in my local pub about World War I. He told me that his best friend during the war had been his horse. I decided to keep reading about it and discovered that we lost something in the region of a million men and there were about a million horses that didn’t come back as well. So I knew there was some kind of connection here between the men and the horses.
“I didn’t really know what to do with that until I thought, well actually, I’ve read poetry about the First World War, novels about the First World War and they tend to be written for one side or the other. They are German, they can be French, they can be British or American – whatever – but usually from one side. I thought here’s an opportunity to write that story, to tell that story about the universal suffering, through a neutral narrator. The only neutral narrator I could think of was a horse.”
How to write stories
The key to writing great stories is to experience life to the fullest, he argues. “The most important thing is to realise that you can do it. We can all tell stories, so mu